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Thematic Tags: 'Wild Nineties' Crime Culture
Russian Crime Statistics, 1980–1996
Nothing characterized the everyday experience of the urban Russian 1990s like crime; as shown in this first comprehensive statistical study of the 1990s, crime was just as bad as everyone had known. But the numbers also reveal some unexpected trends.
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Aleksei Balabanov's "Brother" (1997)
Aleksei Balabanov's cult crime drama, which made its title character, the loveable killer Danila Bagrov into a youth idol and a national emblem of post-Soviet masculinity
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Aleksei Balabanov's "Brother 2" (2000)
The continuation of Danila Bagrov's story from Balabanov's 1997 smash hit "Brother" was partially set in the United States, where national hero Bagrov avenged his friend's death while responding to Russo-American cultural differences.
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Mikhail Kuchin’s gravestone
Photograph of Mikhail Kuchin's funerary portrait with mercedes keys, gravestone, 1994. Shirokorechenskoy Cemetery.
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Megapolis-Ekspress: Urban Exoticism and National Pride
Igor Dudinsky takes over the magazine Megapolis-ekspress and turns it into an extreme and surreal parody of the lowest and most excessively sensationalist forms of Western tabloids.
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the eXile: Bespredel for Expats
A selection of articles from the English-language magazine the eXile, which combined gonzo journalism and styob and provided unique reporting on post-Soviet Russia, while at the same time fetishizing the 1990s lawlessness or bespredel and the Westerners’ exploitation of Russia (sexual and otherwise) that it itself denounced and condemned.
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