“Glas naroda” (The People’s Voice) was a booth installed in the middle of Moscow, into which random people could enter and speak their minds on camera. For this 1991 episode, the booth was set in the vicinity of the Kremlin on last anniversary of the October Revolution ever celebrated in the USSR.

Kommersant attempted to represent the 90s market economy via a Monopoly-like of two economies, an inner and an outer, with racketeering as a recurring threat.

As an art-jazz-rock collective, Auktsyon was a genre-blending musical and performance phenomenon within the Leningrad underground, distinguishing itself from other bands in both longevity and stylistic variation. Throughout the post-Soviet period, Auktsyon gradually increased the antiestablishment content of its music, while maintaining a veneer of ideological ambiguity. 

This Ukrainian video game attempted to represent the rough transition to capitalism via a detailed, simulationist interface.