Table of contents
- → Volume Abstract: "Inventing the Post-Soviet Public Sphere: Media Culture of the Russian 1990s" by Maya Vinokour
- → Introduction. “From Perestroika and the ‘Wild’ 1990s to ‘Putin’s Russia’: A Multimedia History” by Maya Vinokour
- → Chapter 1. “The Sociological Turn: Public Opinion Polling and the Dream of an Open Society” by Bradley Gorski
- → Chapter 2. “The Disappearing Reader: The Disintegration of the Press-Reader Relationship in the Soviet/Post-Soviet Press, 1985-1995” by Courtney Doucette
- → Chapter 3. “Russian Media in the 1990s, Fully Disclosed: Gore, Tabloids, and Countercultural Nationalism” by Fabrizio Fenghi
- → Chapter 4. “The Rock-and-Roll State: Popular Music, Print Media, and Soviet Bureaucracy” by Rita Safariants
- → Chapter 5. “B.U.Kashkin: The Underground Seeking the Public in the 1990s” by Daniil Leiderman
- → Chapter 6. “Russia’s Gay (and Not-So-Gay) Nineties: Sexual and Gender-Expression Pluralism in the first post-Soviet Decade” by Thomas Keenan
- → Chapter 7. “The Revolution of the New Narod: Perestroika, GKChP, and the Televised Post-Soviet Subject at Vzgliad/ ViD” by Pavel Khazanov
- → Chapter 8. “Memory and Media in Post-Soviet Russia: The 1990s to the Present” by Maya Vinokour
Volume Abstract: "Inventing the Post-Soviet Public Sphere: Media Culture of the Russian 1990s"
Many features of today’s global media environment—from the pervasive atmosphere of political “virtuality” to the proliferation of disinformation and conspiracy theory—found early and potent expression in the media landscape of the Russian 1990s. Post-Soviet Russian society emerged simultaneously with an explosion of new media, especially a newly liberated broadcast, cable, and satellite television and the fledgling Internet. This volume and the accompanying online sourcebook interpret Russian-language print, video, audio, and Web 1.0 media, along with select elements of performance and material culture, dating to the “long 1990s.” This period begins in the late 1980s, when Mikhail Gorbachev introduced his signature policy of glasnost (“publicity” or “openness”), and ends with Putin’s rise to the Russian presidency in 2000. We are especially interested in tracking the origins and assessing the implications of the media’s “Wild West”-like atmosphere during this period, investigating vectors of influence among popular culture, commercial advertising, political journalism, and nascent social media. As a joint platform, this volume and the sourcebook present the media culture of the Russian 1990s as simultaneously rooted in (pre-)Soviet history, and deeply influential on the global present. Forthcoming in 2025 with Amherst College Press.