An excerpt from Stanislav Govorukhin's (1936-2018) influential documentary on late perestroika malaise and the ways out of it.

As an art-jazz-rock collective, Auktsyon was a genre-blending musical and performance phenomenon within the Leningrad underground, distinguishing itself from other bands in both longevity and stylistic variation. Throughout the post-Soviet period, Auktsyon gradually increased the antiestablishment content of its music, while maintaining a veneer of ideological ambiguity. 

Kazakh film director Rashid Nugmanov's (1954-) final project for Sergei Solovyov’s (1944-2021) workshop at VGIK—the Moscow-based film school known in English as the Gerasimov Institute of Cinematography—included some of the first film footage of everyday life in the Leningrad rock music scene. 

The final print issue of the Leningrad-based samizdat rock journal Roksi, founded in 1977 by members of the rock band Aquarium and the future president of the Leningrad Rock Club (LRC). Considered the first rock publication in the Soviet Union, and subject to raids by the KGB, Roksi eventually became the official newsletter of the LRC—thus attaining legitimization by the state apparatus.

A clip from one of many perestroika-era televised conversations between American and Soviet "regular people," in which they find common ground with the help of longtime Soviet propagandist and future star of liberal post-Soviet TV, Vladimir Pozner (1934-).

A conversation about pluralism between Evgeny Dodolev (1957-) and Alexander Liubimov (1962-), after an expose on chemistry lecturer and anti-glasnost activist Nina Andreeva (1938-2020).