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Thematic Tags: Chernukha
"Can't Live Like This": Imperial nostalgia as a post-Soviet Russian project
Tak zhit' nel'zia [Can't Live Like This], excerpt from Stanislav Govorukhin's influential documentary on the late Perestroika malaise and the way out of it
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Top Secret: Investigative Journalism and True Crime During Perestroika
Sovershenno sekretno, the first privately owned periodical in Soviet Russia since 1917, showcased a combination of transparency and sensationalism that became a distinguishing feature of journalistic writing in the post-Soviet period.
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Novyi Vzgliad: Violence, Political Irony, and National Pride
Novyi Vzgliad authors write some of the most scandalous and incendiary political commentaries of the 1990s, producing new forms of political irony. Iaroslav Mogutin and Eduard Limonov turn violence into a paradoxical source of identity. The main artifact here–an article by Mogutin–exemplifies this process.
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The World Made of Plastic Has Won
Egor Letov performs his song “Moia oborona” (My defense), during his “concert in the hero city Leningrad,” part of Grazhdanskaia oborona’s 1994 tour Russkii proryv (Russian breakthrough).
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Let's Go To War!
The model, writer, singer, and TV personality Natalia Medvedeva (Limonov’s third wife) performs her song “Poedem na voinu!” (Let’s go to war!), a countercultural hymn romanticizing war, violence, and rebellion.
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Mumiy Troll's Breakthrough “Utekai (Take Off)" Becomes the 1997 Song of the Year
Mumiy Troll’s 1997 breakthrough song “Utekai” (Take off) displayed the combination of surrealism, dark humor, and provincial romanticism that defined the band’s trademark style.
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