"Nashi [Our Boys]," journalist Alexander Nevzorov's propagandistic documentary about the Latvian and Lithuanian divisions of the Soviet OMON (special forces), who fought local independence movements in early 1991.

Experimental musician and political provocateur Sergei Kuryokhin (1954-1996) explains his definition of fascism and his distinction between mainstream postmodernism and a postmodernism of protest.

Images from a photo shoot from the Polushkin Brothers’ Fash-Fashion collection, which alluded to both queer and fascist aesthetics. Images in the series appeared, respectively, in an ad for Dr. Martens in the lifestyle magazine “Ptiuch,” and as an example of the countercultural aesthetics of the National Bolshevik Party in the pages of its press organ, “Limonka.”

Egor Letov performs his song “Moia oborona” (My defense), during his “concert in the hero city Leningrad,” part of Grazhdanskaia oborona’s 1994 tour Russkii proryv (Russian breakthrough).

The model, writer, singer, and TV personality Natalia Medvedeva (Limonov’s third wife) performs her song “Poedem na voinu!” (Let’s go to war!), a countercultural hymn romanticizing war, violence, and rebellion.

Timur Novikov’s essay and manifesto, “The New Russian Classicism” as an exponent of pop culture, fashion, and totalitarianism.