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Konstantin Ernst's "Matador"
An excerpt from the art show “Matador,” created in 1990 by “ViD”'s junior partner, Konstantin Ernst (1961-). This clip derives from an episode on contemporary art and boasts a joyously elitist feel consistent with “ViD”’s "New-Russian" ethos.
Listyev's Russian Liberals on "Chas Pik"
An excerpt from a compilation of memorable moments with Vladislav Listyev (1956-1995) and his liberal guests on "Chas Pik," aired in the week after his murder.
Ernst’s “Russian Project” as cultural therapy for the post-Soviet Russian masses
Konstantin Ernst’s (1961-) series of social advertisements extolling Russia’s shared values and national identity at a time of seeming social crisis in the mid-1990s.
Soviet Engineers become Post-Soviet Aristocrats on TV
"Chto? Gde? Kogda?” (What? Where? When?) goes through an aristocratic overhaul and becomes an "intellectual casino.”
The pro-Yeltsin propaganda paper “God Forbid!” subjects Communist presidential candidate Gennady Zyuganov to blistering critique
An anti-Zyuganov cartoon published about a month before the first round of presidential elections in 1996 compares him to a Godzilla-sized dog owner training an entire city to “Beg!” for a slice of Soviet mortadella—liubitel’skaya kolbasa.
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Marina Goldovskaya’s "Solovki Power" excavates painful historical memory
In 1988, journalist Marina Goldovskaya was able to release her documentary film "Solovki Power," which was dedicated to reconstructing long-suppressed memory of one of the USSR’s most notorious gulags: “Solovki.”
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