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Thematic Tags: Capitalism
Petrovich the Soviet everyman survives post-Soviet Russia at Kommersant
A collection of "Petrovich" cartoons at Russia’s ‘first business newspaper,’ Kommersant, drawn by Andrei Bil’zho. They depict a hapless and repulsive comic personage, born and raised in the Soviet era and now trying to get used to the realia of post-Soviet capitalism.
View Artifact"We Are Building Communism! / We Are Building a New Russia!"
Billboard for Peresvet Trading Firm in Moscow, playing off of an existing Soviet billboard just above it
View ArtifactParfenov’s Namedni as memory-work in the 1990s
Namedni [Recently], Parfenov's project about recent history, was one of the most successful shows of the 1990s. Eschewing big narrative arcs, the show highlighted the past as a collection of memory sites– in this case, the origin of the New Russian in 1991.
View ArtifactThe post-Soviet people’s show, Pole Chudes
A clip from the most-watched entertainment show of the 1990s, "Pole Chudes [Field of Miracles],” which renders the post-Soviet narod of regular folks, engaged in a free-flowing relationship with capitalism and Russia’s central television
View ArtifactThe Black Series from Vagrius
The book series “Contemporary Russian Prose” or the “Black Series,” published by Vagrius—one of post-Soviet Russia’s most successful commercial publishers—made bestsellers out of literary prose.
View ArtifactInterview with Victor Pelevin
After the launch of Victor Pelevin’s hit novel “Generation P” in 1999, the author set out on a publicity tour in which he behaved as poorly as his own protagonist, Vavilen Tatarsky. And much like his protagonist, he proved that, in post-Soviet Russia, bad behavior sells.
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