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Petrovich the Soviet everyman survives post-Soviet Russia at Kommersant

A collection of "Petrovich" cartoons at Russia’s ‘first business newspaper,’ Kommersant, drawn by Andrei Bil’zho. They depict a hapless and repulsive comic personage, born and raised in the Soviet era and now trying to get used to the realia of post-Soviet capitalism.

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"We Are Building Communism! / We Are Building a New Russia!"

Billboard for Peresvet Trading Firm in Moscow, playing off of an existing Soviet billboard just above it

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Parfenov’s Namedni as memory-work in the 1990s

Namedni [Recently], Parfenov's project about recent history, was one of the most successful shows of the 1990s. Eschewing big narrative arcs, the show highlighted the past as a collection of memory sites– in this case, the origin of the New Russian in 1991.

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The post-Soviet people’s show, Pole Chudes

A clip from the most-watched entertainment show of the 1990s, "Pole Chudes [Field of Miracles],” which renders the post-Soviet narod of regular folks, engaged in a free-flowing relationship with capitalism and Russia’s central television

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The Black Series from Vagrius

The book series “Contemporary Russian Prose” or the “Black Series,” published by Vagrius—one of post-Soviet Russia’s most successful commercial publishers—made bestsellers out of literary prose.

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Interview with Victor Pelevin

After the launch of Victor Pelevin’s hit novel “Generation P” in 1999, the author set out on a publicity tour in which he behaved as poorly as his own protagonist, Vavilen Tatarsky. And much like his protagonist, he proved that, in post-Soviet Russia, bad behavior sells.

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