A moment in Dugin's political campaign in Saint Petersburg, in which Sergey Kuryokhin and Aleksandr Dugin mock liberal democracy—and Yeltsin’s 1993 referendum—on Russian TV.

During a 1992 “encounter” with the émigré writer Eduard Limonov at the concert hall in Moscow’s Ostankino TV studios (a common genre during perestroika), a young "neformal" (alternative kid) in the audience suggests creating a subculture made up of young “limonovians.”

Images from a photo shoot from the Polushkin Brothers’ Fash-Fashion collection, which alluded to both queer and fascist aesthetics. Images in the series appeared, respectively, in an ad for Dr. Martens in the lifestyle magazine “Ptiuch,” and as an example of the countercultural aesthetics of the National Bolshevik Party in the pages of its press organ, “Limonka.”

Egor Letov performs his song “Moia oborona” (My defense), during his “concert in the hero city Leningrad,” part of Grazhdanskaia oborona’s 1994 tour Russkii proryv (Russian breakthrough).

The model, writer, singer, and TV personality Natalia Medvedeva (Limonov’s third wife) performs her song “Poedem na voinu!” (Let’s go to war!), a countercultural hymn romanticizing war, violence, and rebellion.

The cult radio program Transilvania bespokoit (Transilvania is bothering you) creates an alternative musical canon and produces a new nationalist counterpublic.