A late-Soviet article, published in the mainstream paper Literaturnaia gazeta, on the topic of the ongoing AIDS epidemic. 

Kazakh film director Rashid Nugmanov's (1954-) final project for Sergei Solovyov’s (1944-2021) workshop at VGIK—the Moscow-based film school known in English as the Gerasimov Institute of Cinematography—included some of the first film footage of everyday life in the Leningrad rock music scene. 

Popular film magazines like Soviet Screen (Sovetskii ekran) were instrumental in establishing rock musicians as cultural icons. Volume 7, from 1987, places Konstantin Kinchev (1958-), frontman of the Leningrad band Alisa, on the cover of its “youth issue” (molodezhnyi vypusk) in an effort to promote Valerii Ogorodnikov’s film The Burglar (Vzlomshchik, 1987), in which Kinchev plays the lead role.

Perestroika, the puzzle game based on the eponymous series of late-Soviet political reforms, heralded a new, weird age in Russian gaming in its inexplicable attempt to represent the ongoing political turmoil via the reductive means of traversing colorful islands to prosperity. 

This Ukrainian video game attempted to represent the rough transition to capitalism via a detailed, simulationist interface.

A 1987 speech by Soviet Communist Party General Secretary Mikhail Gorbachev (1931-2022) on the significance of his signature policy, perestroika.