A clip from the most-watched entertainment show of the 1990s, "Pole chudes [Field of Wonders],” featuring the post-Soviet “narod” (people) of regular folks engaged in a free-flowing relationship with both capitalism and Russia’s Central Television.

A 1989 healing session with TV psychic Allan Chumak (1935-2017) taking place during the morning newscast “120 Minutes.” Chumak alleged that his techniques worked not only on people themselves, but also on their drinking water and moisturizing products.

Konstantin Ernst’s (1961-) series of social advertisements extolling Russia’s shared values and national identity at a time of seeming social crisis in the mid-1990s.

Svetlana Baskova captures the surreal, deeply violent, and grotesque essence of the 1990s and the Chechen wars in her cult trash movie, "Zelenyi slonik" (The little green elephant, 1999).

This billboard advertising the cigarette brand L&M is positioned in front of the burned façade of the Russian White House, which was bombed on Yeltsin’s orders during the 1993 Constitutional Crisis. It possibly inspired one of the most famous passages from Victor Pelevin’s iconic satire of the 1990s, “Generation P” (titled, in English, “Homo Zapiens”).