An article by Aleksey Tsvetkov, anarchist writer and associate director of "Limonka" who temporarily turned the newspaper to a postmodern art project of sorts.

A "Limonka" cover from 1997 displaying a collage by the surreal retrofuturist artist and pioneer of industrial music, Aleksandr Lebedev-Frontov.

Excerpt from an early episode (the second) of a new version of the popular talk show Vzgliad, co-hosted by Aleksandr Liubimov and Sergey Bodrov Jr., which aired weekly on the TV channel ORT in 1996-1999.

Novyi Vzgliad authors write some of the most scandalous and incendiary political commentaries of the 1990s, producing new forms of political irony. Iaroslav Mogutin and Eduard Limonov turn violence into a paradoxical source of identity. The main artifact here–an article by Mogutin–exemplifies this process.

Experimental musician and political provocateur Sergei Kuryokhin (1954-1996) explains his definition of fascism and his distinction between mainstream postmodernism and a postmodernism of protest.

A moment in Dugin's political campaign in Saint Petersburg, in which Sergey Kuryokhin and Aleksandr Dugin mock liberal democracy—and Yeltsin’s 1993 referendum—on Russian TV.