The origins and significance of the raspberry blazer as an iconic element of the “New-Russian” wardrobe in the early 1990s.

Images from a photo shoot from the Polushkin Brothers’ Fash-Fashion collection, which alluded to both queer and fascist aesthetics. Images in the series appeared, respectively, in an ad for Dr. Martens in the lifestyle magazine “Ptiuch,” and as an example of the countercultural aesthetics of the National Bolshevik Party in the pages of its press organ, “Limonka.”

Timur Novikov’s essay and manifesto, “The New Russian Classicism” as an exponent of pop culture, fashion, and totalitarianism.