An entry in “Argumenty i fakty”'s occasional column "Ugolok O. Bendera [Ostap Bender’s Corner]," a reference to Il’f and Petrov’s trickster hero of the 1920s, gave advice to beginning "chelnoki," or small-trade merchants who would travel—some across international borders—to find cheap items and sell them at markups back home. The checkered bag became a symbol of these petty merchants and of the hand-to-mouth experience of living in the 1990s.

A 1988 celebration of a year of the late- and post-Soviet youth program “Vzgliad,” where several sketch comedy artists parody and recapitulate its casual, sincere, and freewheeling style of television programming.

Clips of “Vzgliad”'s reports during the attempted anti-Gorbachev coup of August 1991. These include the hosts’ holing up in the seat of Russia’s new parliament, the White House alongside its defenders and celebrities, including the cellist Mstislav Rostropovich (1927-2007).

A collection of "Petrovich" cartoons by Andrei Bil’zho published in Russia’s “first business newspaper,” “Kommersant.” Bil’zho’s drawings depict a hapless and repulsive comic personage, born and raised in the Soviet era but trying to get his bearings in post-Soviet capitalism.

A clip from the most-watched entertainment show of the 1990s, "Pole chudes [Field of Wonders],” featuring the post-Soviet “narod” (people) of regular folks engaged in a free-flowing relationship with both capitalism and Russia’s Central Television.