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Kletchataia sumka, Chelnoki, and Ostap Bender
An entry in “Argumenty i fakty”'s occasional column "Ugolok O. Bendera [Ostap Bender’s Corner]," a reference to Il’f and Petrov’s trickster hero of the 1920s, gave advice to beginning "chelnoki," or small-trade merchants who would travel—some across international borders—to find cheap items and sell them at markups back home. The checkered bag became a symbol of these petty merchants and of the hand-to-mouth experience of living in the 1990s.
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Early Vzgliad parodies itself
A 1988 celebration of a year of Vzgliad, where several sketch comedy artists parody and recapitulate Vzgliad's casual, sincere, freewheeling style of television programming
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Vzgliad on the GKChP
Clips of Vzgliad's reports during the attempted GKChP coup in 1991. These include being holed up in the White House (the RSFSR parliament) alongside its defenders and celebrities, such as Mstislav Rostropovich.
View ArtifactPetrovich the Soviet everyman survives post-Soviet Russia at Kommersant
A collection of "Petrovich" cartoons at Russia’s ‘first business newspaper,’ Kommersant, drawn by Andrei Bil’zho. They depict a hapless and repulsive comic personage, born and raised in the Soviet era and now trying to get used to the realia of post-Soviet capitalism.
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The post-Soviet people’s show, Pole Chudes
A clip from the most-watched entertainment show of the 1990s, "Pole Chudes [Field of Miracles],” which renders the post-Soviet narod of regular folks, engaged in a free-flowing relationship with capitalism and Russia’s central television
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