Russian Crime Statistics, 1980-1996
Nothing epitomized the everyday experience of the urban Russian 1990s like crime. As this first comprehensive statistical study of the 1990s demonstrates, crime was just as bad as everyone had anecdotally experienced. The numbers also reveal some unexpected trends.
View ArtifactKlei-Moment
Made by the German Henkel company, Moment-brand glue was a staple of post-Soviet hobbyists. It also became one of the preferred drugs among post-Soviet youth. The brand name alone became synonymous with huffing.
View ArtifactUrlait Music Journal (Samizdat) 1985-1992 (Draft)
Moscow's samizdat music journal, which followed in the footsteps of Lenigrad's Roksi while forging a new journalistic style. The journal positioned itself to in many ways reject the Leningrad scene. Despite Moscow-based bands generally leaning towards a more avant-garde, art-rock aesthetic, Urlait made a point to promote so-called "national rock." According to Urlait's founder I. Smirnov, bands like DDT, DK, and Oblachnyi Krai (Yuri Loza) were said to be "oriented towards national problems, in opposition to estrada and the confluence of Western and domestic cultural traditions."
View ArtifactBand Survey from the Leningrad Rock Club completed by Sergei Kuryokhin of Pop Mekhanika
An official rock club survey in which Sergei Kuryokhin utlilizes the late-Soviet aesthetic of stiob and performative socialism to underscore the club's dependence on the KGB
View ArtifactLeningrad Rock Club
A wall of graffiti in the courtyard of the Leningrad Rock Club (1981-1991) on 13 Rubinshteyna Street in Leningrad (St. Petersburg), which featured fan street art dedicated to USSR's most revered rock-music collectives. When the wall was painted over in 2010 by the bulding's new proprietor, this caused a public outcry from both rock fans and the many surviving musicians from that era, who sought to preserve the LRC's legacy and designmate the wall and the building a historical landmark.
View ArtifactThe World Made of Plastic Has Won
Egor Letov performs his song “Moia oborona” (My defense), during his “concert in the hero city Leningrad,” part of Grazhdanskaia oborona’s 1994 tour Russkii proryv (Russian breakthrough).
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