“No Way to Live”: Imperial nostalgia as a post-Soviet Russian project
An excerpt from Stanislav Govorukhin's (1936-2018) influential documentary on late perestroika malaise and the ways out of it.
View Artifact"Our boys" fight against “fascist” Baltic independence
"Nashi [Our Boys]," journalist Alexander Nevzorov's propagandistic documentary about the Latvian and Lithuanian divisions of the Soviet OMON (special forces), who fought local independence movements in early 1991.
View ArtifactPrimetime hypnotic tele-healing with Anatoly Kashpirovsky
Anatoly Kashpirovsky (1939-), a “psychic” authority on perestroika-era "new thinking," uses the power of suggestion to heal the Soviet people of ailments physical and spiritual.
View ArtifactThe Collective Society “Kartinnik”[”Picture-man”] with B.U.Kashkin in front of painted Ural Electro-Technical Institute rubbish pins. 1993.
The bearded B. U. Kashkin stands in front of a set of trashbins which have been painted with bright, colorful scenes of trees, butterflies and flowers. Pigeons are digging through the garbage and mud apparent throughout the site.
View ArtifactCover for “Red Hogwash” [“Krasnaia Burda”], issue 1, October 1990 by G. Malyshev.
The first issue of Red Hogwash's cover depicts a man in the costume of the Statue of Liberty lighting a cigarette with the torch.
View ArtifactManager Board Game 1st edition
A square, indigo board game similar to Monopoly, but reading "Manager". Manager, which became the most successful Monopoly-like made in the former Soviet Union, initially presented itself as scientific and rational in its promise of capitalist success.
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