“500 Days: Program Summary,” a special issue of Komsomol’skaya Pravda, 29 September 1990
Komsomol'skaya pravda "500 days" special issue
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Urlait Music Journal (Samizdat) 1985-1992 (Draft)
Moscow's samizdat music journal, which followed in the footsteps of Lenigrad's Roksi while forging a new journalistic style. The journal positioned itself to in many ways reject the Leningrad scene. Despite Moscow-based bands generally leaning towards a more avant-garde, art-rock aesthetic, Urlait made a point to promote so-called "national rock." According to Urlait's founder I. Smirnov, bands like DDT, DK, and Oblachnyi Krai (Yuri Loza) were said to be "oriented towards national problems, in opposition to estrada and the confluence of Western and domestic cultural traditions."
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Kontr Kult Ur'a Music Journal (Samizdat) 1989-1991 (Draft)
Kontr Kult Ur'a was envisioned as an ideological reincarnation of Urlait, which was deemed by the new editorial board as "cult-like" and "radically positioned." The journal also was one of the first samizdat rock zines in Moscow and Leningrad to prominently feature and promote Siberian punk rock, including Egor Letov, Civil Defence, and Yanka.
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Lyube performing "Atas" during a televised concert on January 1, 1990
The rock band, which Vladimir Putin would later count as among his "favorites," performing on late-Soviet television on the cusp of rock stardom.
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Band Survey from the Leningrad Rock Club completed by Sergei Kuryokhin of Pop Mekhanika
An official rock club survey in which Sergei Kuryokhin utlilizes the late-Soviet aesthetic of stiob and performative socialism to underscore the club's dependence on the KGB
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Maria Devi Khristos
Maria Devi Khristos, street poster with a woman in religious regalia making a gesture of blessing, 1991.
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