Cover of the first issue of SpidInfo depicting an anxious nude couple turned away from each other in bed.

title screen, "Maski-Show"/"Maski-Show", 1991 by Georgi Deliev, showing a stylized image of multiple people in clown make-up.

A wall of graffiti in the courtyard of the Leningrad Rock Club (1981-1991) on 13 Rubinshteyna Street in Leningrad (St. Petersburg), which featured fan street art dedicated to USSR's most revered rock-music collectives. When the wall was painted over in 2010 by the bulding's new proprietor, this caused a public outcry from both rock fans and the many surviving musicians from that era, who sought to preserve the LRC's legacy and designmate the wall and the building a historical landmark.

The first and until 1994 the only Western-style rock club in Russia, which was founded in 1991 by cellist Vsevolod (Seva) Gakkel (Akvarium) after he visited the famous music club CBGB in New York. The club specialized in punk rock specifically, providing the budding underground punk scene in Russia a much-needed performance venue and cultural legitimacy. Some have accused Gakkel's establishment for breeding far-right nationalist sentiments among Russia's youth subcultures (or at least providing them with a physical organizational platform) in the early 1990s. The fact that a German television production company took interest in TaMtAm is also a testament to punk as a truly transnational movement after fall of the Berlin Wall.

Piece on the gay Russian émigré poet Valerii Pereleshin with excerpts from his verse cycle “Ariel” in gay newspaper Shans

LP (represented here by album cover and artwork) Impossible Love (Невозможная любовь) By Vova and the Organ of Internal Affairs (Вова и орган вунтренных дел)