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The post-Soviet people’s show, Pole Chudes
A clip from the most-watched entertainment show of the 1990s, "Pole Chudes [Field of Miracles],” which renders the post-Soviet narod of regular folks, engaged in a free-flowing relationship with capitalism and Russia’s central television
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"Politburo" versus the specter of communism, during the 1993 political crisis
A clip from "Politburo," a weekly commentary show from Aleksandr Politkovsky (a Vzgliad alum). This show takes place just prior to May 1, and just after the 1993 Referendum, as well as Rutskoi's first salvo in the "Kompromat Wars," regarding 11 suitcases of materials documenting Yeltsin's corruption. Here, Politkovsky is happy to return the favor to Rutskoy. The show ends with anti-communist chiastushki for Mayday.
View Artifact"Eleven Suitcases of Kompromat" (Draft)
Rutskoi's speech, regarding "11 suitcases of kompromat," proving the corruption of Yeltsin's team– the first salvo in the 'Kompromat wars,' as a counterattack to Yeltsin's "Yes Yes No Yes" referendum.
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Konstantin Ernst's "Matador"
A clip from the art show "Matador," created by VID's junior partner, Konstantin Ernst, in 1990, and then remained his project as Ernst rose up and took VID's helm. This particular clip is from the show on Contemporary Art. It has a remarkably joyously elitist feel that is consistent with the "new Russian" ethos of ViD.
View ArtifactTsoi on "Before 16 and After" (Draft)
A Zastoi-origin youth show trying to make sense of Viktor Tsoi in 1988, while still operating within the symbolic universe of relatively orthodox Soviet programming.
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The View from the Other Side
LGBTQ activist Yaroslav “Slava” Mogutin’s response to another article on gay men in post-Soviet Russia (by Aelita Efimova) in the magazine Совершенно секретно.
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