Explore: Year » 1987
Russian Crime Statistics, 1980-1996
Nothing epitomized the everyday experience of the urban Russian 1990s like crime. As this first comprehensive statistical study of the 1990s demonstrates, crime was just as bad as everyone had anecdotally experienced. The numbers also reveal some unexpected trends.
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Klei-Moment
Made by the German Henkel company, Moment-brand glue was a staple of post-Soviet hobbyists. It also became one of the preferred drugs among post-Soviet youth. The brand name alone became synonymous with huffing.
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Putting the "Spotlight" on an experimental three-hour line for Soviet luxury clothes
Prozhektor Perestroiki [Perestroika's Spotlight], a glasnost-era televised investigative journalism project, investigates a three-hour line for luxury clothes at the recently opened Luxe Fashion Center, where the reporters discover the problem of supply and demand in the USSR.
View Artifact“Dictatorship of Conscience” (Draft)
Play by Mikhail Shatrov that opened at the Lenin Komsomol Theather in Moscow, Feb. 1986
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"Sovetskii Ekran" with Konstantin Kinchev on the cover
Popular film magazines like Soviet Screen (Sovetskii Ekran), were instrumental in establishing rock musicians as cultural icons. Volume 7 (1987) publication places Konstantin Kinchev, frontman of the Leningrad band Alisa, on the cover of its “youth issue” (molodezhnyi vypusk) in an effort to promote the Valerii Ogorodnikov’s film The Burglar (Vzlomshchik, 1987) in which Kinchev plays the lead role.
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Perestroika Women Speak to US Women
A clip from one of many Perestroika-era televised conversations between American and Soviet "regular people," in which they find common ground with the help of long-time Soviet propagandist and future star of liberal post-Soviet TV, Vladimir Pozner
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