A split double album, recorded and produced by Joanna Stingray, which was the first release of Russian rock music in the west. The album, totaling 15,000 copies, features compositions from four Leningrad-based rock bands: Aquarium, Kino, Alisa, and Strange Games (Strannye Igry). Stingray hoped to popularize Soviet rock music in the West in a direct affront to existing Cold War policies.

The 16th track on Grazhdanskaia Oborona's 1988 eponymous punk-rock album, whose refrain became a popular catchphrase of the late perestroika and post-Soviet period. The song cemented Egor Letov and his band as a major influence during Perestroika, marking the punk genre's departure from the established norm of largely avoiding politically-charged lyrical content.

The second studio rock/ska album by the legendary St. Petersburg band Leningrad. With its heavy use of profanity, the album etablished Sergei Shnurov as the band's unequivocal frontman and placed Leningrad on the map as a new and influential direction in post-Soviet rock music.