A split double album, recorded and produced by Joanna Stingray, which was the first release of Russian rock music in the west. The album, totaling 15,000 copies, features compositions from four Leningrad-based rock bands: Aquarium, Kino, Alisa, and Strange Games (Strannye Igry). Stingray hoped to popularize Soviet rock music in the West in a direct affront to existing Cold War policies.

Scene of Viktor Tsoi performing his rock-anthem "Changes!" (“Peremen!”) during the last seven minutes of Sergei Solov’ev’s 1987 film Assa. Kino's cinematic performance became a defining mass-cultural event that legitimized Soviet rock music as a product of the official mainstream collaborating with the Soviet underground rock movement, crowning Tsoi as USSR's ultimate rock star, and promoting rock music as a legitimate artform for the late-Soviet audience.

Rashid Nugmanov's course project for Sergei Solov'ev's workshop at VGIK, which included some of the first film footage of the everyday life of the Leningrad rock music scene.

The final print issue of the Leningrad-based samizdat rock journal Roksi, which was founded in 1977 by members of the rock band Aquarium and the future president of the Leningrad Rock Club. Considered to be the first rock publication in the Soviet Union, which was subject to raids by the KGB, Roksi eventually became the official newsletter of the LRC, and thus legitimized by the state apparatus.

A wall of graffiti in the courtyard of the Leningrad Rock Club (1981-1991) on 13 Rubinshteyna Street in Leningrad (St. Petersburg), which featured fan street art dedicated to USSR's most revered rock-music collectives. When the wall was painted over in 2010 by the bulding's new proprietor, this caused a public outcry from both rock fans and the many surviving musicians from that era, who sought to preserve the LRC's legacy and designmate the wall and the building a historical landmark.