This 1988 televised performance of Nautilus Pompilius's “Last Letter” captures the band’s cultural disillusionment with Western ideals, prefiguring post-Soviet anti-Americanism. 

The concert logo for the Rok protiv terrora (Rock Against Terror) music festival, which took place in Moscow on 6 April 1991.

In 1990, the rock band Lyube performed their recent hit, "Atas," on Soviet television. The band’s state-sponsored fusion of rock music with militaristic nationalism and patriotic culture would, among other things, endear them to Vladimir Putin.

This 1992 music video for Lyube's “Stop Fooling Around, America!” uses retro newsreel footage and animation to demand Alaska’s return to Russia, deploying folksy humor to advance post-Soviet neo-imperialism. 

The album cover, plus audio excerpts, from the 1999 album Profanity without Electricity (Mat bez elektrichestva) by the band Leningrad.

Aleksei Balabanov's cult crime drama, which made its title character, the loveable killer Danila Bagrov into a youth idol and a national emblem of post-Soviet masculinity