A collection of "Petrovich" cartoons by Andrei Bil’zho published in Russia’s “first business newspaper,” “Kommersant.” Bil’zho’s drawings depict a hapless and repulsive comic personage, born and raised in the Soviet era but trying to get his bearings in post-Soviet capitalism.

A series of articles from the nascent “Kommersant Daily” dating to late 1992/ early 1993 sought to assess the paper’s target audience, the wealthy class of so-called “New Russians.”

“Namedni” (Recently), Leonid Parfenov’s project dedicated to recent history, was one of the most successful shows of the 1990s. Eschewing big narrative arcs, the program highlighted the past as a collection of memory sites—in this case, exploring the origins of the “New Russian” in 1991.

Kommersant attempted to represent the 90s market economy via a Monopoly-like of two economies, an inner and an outer, with racketeering as a recurring threat.

A square, indigo board game similar to Monopoly, but reading "Manager". Manager, which became the most successful Monopoly-like made in the former Soviet Union, initially presented itself as scientific and rational in its promise of capitalist success.

An anti-Zyuganov cartoon published about a month before the first round of presidential elections in 1996 compares him to a Godzilla-sized dog owner training an entire city to “Beg!” for a slice of Soviet mortadella—liubitel’skaya kolbasa.