Although the police special forces unit known as OMON (Otriad militsii osobogo naznacheniia) was established before the fall of the Soviet Union, their now-ubiquitous light blue camouflage was only introduced in 1994, when OMON was deployed as part of the first Chechen War. OMON and its uniform have since been associated with street intimidation, market clearings, and protest-quashing, especially in Moscow and St. Petersburg.

After the launch of Victor Pelevin’s hit novel “Generation P” in 1999, the author set out on a publicity tour in which he behaved as poorly as his own protagonist, Vavilen Tatarsky. And much like his protagonist, he proved that, in post-Soviet Russia, bad behavior sells.

Made with the collaboration of Tsoi's widow Marianna Tsoi, the film includes scenes from Viktor Tsoi's funeral and chronicles the mass mourning of the late musician, and the perestroika era by proxy.

A clip from one of many perestroika-era televised conversations between American and Soviet "regular people," in which they find common ground with the help of longtime Soviet propagandist and future star of liberal post-Soviet TV, Vladimir Pozner (1934-).

The second studio rock/ska album by the legendary St. Petersburg band Leningrad. With its heavy use of profanity, the album etablished Sergei Shnurov as the band's unequivocal frontman and placed Leningrad on the map as a new and influential direction in post-Soviet rock music.

1992-1993 Math calendar intended for a secondary school student with a photograph of Viktor Tsoi, leader of the rock band Kino on its front cover.