Yeltsin's Culler (Sanitar Yeltsina)
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Any doubts vanish when he identifies
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the only surviving item in the case:
Zheleztsov's wristwatch,
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with its personalized inscription.
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As the grim circle
of his victims closes in,
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Murylev finally
admits to the eight murders.
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Even seasoned investigators
are shocked by some of the details
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now readily shared by the killer.
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He put Zheleztsov to sleep
by drugging his vodka
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and shot the sleeping man
with a homemade crossbow.
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Turning on the light,
he saw he'd hit the man's hand.
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Done with experimenting,
he loaded a powerful harpoon gun
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and opened his victim tally
with a shot to the heart.
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But this was not the only
murder technique at his disposal.
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She was lying more or less like that.
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- What did you do?
- I made a noose.
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- How?
- I held the cord like this.
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- A cord like this one?
- Yes, about the same length.
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Then, I just sat on the bed.
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I passed the cord
carefully under her head.
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I secured it...
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and pulled hard.
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Murylev's medical training was
the perfect aid to his principal role.
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He dealt with
Petukhova junior like an expert,
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applying precise pressure
to her carotid artery.
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- Like this.
- With your thumbs?
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Yes.
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- Just your thumbs?
- Yes.
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Troshin met a similar end,
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while Sidorov was
dispatched with a cleaver.
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Yershov was half asleep
on a dose of Clonidine
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when he was driven out of town
and shot in the back of the head.
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The killer used a TT pistol,
but as usual took a spare:
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this time, a Nagant revolver.
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His method for Bulanenkov
was brilliantly simple.
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He took his drunk victim
to a well outside Moscow,
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placed him beside the opening,
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and waited for him to topple into it.
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He didn't have to wait long.
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Ever the diligent paramedic,
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Murylev carefully oversaw
the deaths of his victims.
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He repeatedly checked
for a pulse until he was sure
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the victim would never wake up.
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But Murylev's most bizarre
admission came in a police interview
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where he explained the motive
behind his method of privatization.
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By killing drunks and degenerates,
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which most of his victims were,
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he was essentially acting
as Yeltsin's janitor.
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He was helping cleanse
society of its fringe elements.
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Their flats could then
be given to more deserving owners.
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The money he got
from selling the flats
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would be put into
positive social initiatives,
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such as the launch of
a private detective agency.
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Based, believe it or not, in Germany.
This artifact excerpts the first episode of Kriminalnaia Rossiia (Criminal Russia), the first true crime show on Russian TV. It aired on the channel NTV between 1995-2002, epitomizing the genre of 1990s chernukha (gore). Loosely inspired by the American reality show COPS (1989-), Kriminalnaia Rossiia combined documentary footage with staged reconstructions, and, like its American counterpart, came under fire for sensationalism and graphic content—including actual footage of decomposing or maimed bodies and detailed simulations of violent crimes. Kriminalnaia Rossiia covered cases of serial killers—like the infamous “Monster of Rostov,” Andrei Chikatilo (1936-1994)—as well as gang- and drug-related violence.
This first episode, “The Murylev Case: Death for Apartments,” reveals the ruthlessness and banalization of violence in post-Soviet Russia and points to the importance of private property in the new reality. Alexander Murylev (1971-), the son of a Russian counter-intelligence agent stationed in Germany and a former medical student, murdered several destitute homeowners (mostly unemployed alcoholics) after tricking them into transferring their apartments to his name on the promise of a later payment. The chronicle of his crimes opens with a nostalgic historical digression about early-Soviet and Khrushchev-era dreams of state-assigned homes for all. After the fall of the Soviet Union in 1991, the voiceover explains, some Soviet citizens became homeowners overnight. As they follow the police investigation of Murylev’s crimes, the show’s producers strive to balance depicting a “normalized Russia,” where crimes are routinely investigated and prosecuted, with framing the case as a particularly brutal tip of the iceberg. Accordingly, when detectives try to approach “likely victims” of the type of scam Murylev perpetrated, the camera shows several homeless people who, we are told, lost their homes as a result of privatization.
Once he is caught and confesses, Murylev demonstrates for the camera, in a matter-of-fact way, how he murdered his victims: strangling them with his bare hands or a wire, shooting them in their sleep, or simply letting them fall into a well after getting them drunk. At the end of the episode, the narrator relates a statement by Murylev that encapsulates the darkest forms of social Darwinism pervading Russian society at the time. During police questioning, Murylev famously claimed that his actions—or, as the show’s narrator mockingly calls them, his “privatization method”—were justified, because by killing “drunks and degenerates” he was in fact freeing up living space that could then be handed to “far more deserving people.” In doing so, he explained, he was behaving as “Yeltsin’s Culler” (sanitar Yeltsina; lit: Yeltsin’s hospital orderly), “helping him purge” Russian society of its “marginal elements.”