“The New against the Old,” a programmatic article by Aleksandr Dugin from the first issue of Limonka, the official newspaper of Eduard Limonov’s National Bolshevik Party (NBP), radical political organization/countercultural movement.

An article by Aleksey Tsvetkov, anarchist writer and associate director of "Limonka" who temporarily turned the newspaper to a postmodern art project of sorts.

A "Limonka" cover from 1997 displaying a collage by the surreal retrofuturist artist and pioneer of industrial music, Aleksandr Lebedev-Frontov.

Glagol Press (Moscow) 1991 edition of Eduard Limonov’s It’s Me, Eddy.

Sovershenno sekretno, the first privately owned periodical in Soviet Russia since 1917, showcased a combination of transparency and sensationalism that became a distinguishing feature of journalistic writing in the post-Soviet period.

During a 1992 “encounter” with the émigré writer Eduard Limonov at the concert hall in Moscow’s Ostankino TV studios (a common genre during perestroika), a young "neformal" (alternative kid) in the audience suggests creating a subculture made up of young “limonovians.”