Search Results
Search Terms
Text Containing:
People: Aleksandr (Alexander) Shaburov
The “Kartinnik”/”Picture-man” society at the Dam boardwalk in Sverdlovsk, 1989
A photograph of a group of youths doing a Punk-Skomorokh performance at a public boardwalk. B.U. Kashkin's "Kartinnik" circle creates a wave of notorious but positive and cheerful actionism.
View Artifact3pm on Sundays at the Dam, the jesters [skomorokhi] will gift society pictures!, 1989 Tempera on Wood panel.
B.U. Kashkin's circle created outsider art in various media, but especially painting, distributing it to the public during their Punk-Skomorokh perfromances. B.U. Kashkin encouraged amateur artists to experiment with public art.
View ArtifactThe Collective Society “Kartinnik”[”Picture-man”] with B.U.Kashkin in front of painted Ural Electro-Technical Institute rubbish pins. 1993.
The bearded B. U. Kashkin stands in front of a set of trashbins which have been painted with bright, colorful scenes of trees, butterflies and flowers. Pigeons are digging through the garbage and mud apparent throughout the site.
View ArtifactShaburov Sasha Christ
Alexander Shaburov developed a series of performances about artistic identity, which included both mocking and pastiching the cult leader Marina Tsvigun (AKA "Maria Devi Christ" ) whose group attempted to seize the Saint Sophia Cathedral in Kyiv in 1993.
View ArtifactIvan Zhaba: Russian Superman
A major installation artwork by Alexander Shaburov engaged with the Western Superhero genre through a multimedia hagiography of a Russian superman.
View ArtifactAlexander Shaburov's "Monument to an Invisible Man", 1999
A monument pedestal with no statue, two uneven footprints are imprinted on the pedestal.
View Artifact