The bearded B.U.Kashkin (1938-2005) stands in front of an array of trash bins painted with bright, colorful scenes featuring trees, butterflies, and flowers. Against the background of this artistic display, pigeons are seen digging through the site’s abundant garbage and mud.

A group of youths perform a Punk-Skomorokh act on a public boardwalk. They are part of street artist B.U. Kashkin's (1938-2005) “Kartinnik” circle, which produced a wave of infamous—but positive and cheerful—actionism.

B.U. Kashkin's circle created outsider art in various media, but especially painting, distributing it to the public during their Punk-Skomorokh performances. B.U. Kashkin encouraged amateur artists to experiment with public art. 

A monument pedestal with no statue, two uneven footprints are imprinted on the pedestal.

The artist Alexander Shaburov (1965-) developed a series of performances about artistic identity, which included both mocking and pastiching the cult leader Marina Tsvigun (aka “Maria Devi Christ”), whose group attempted to seize the Saint Sophia Cathedral in Kyiv in 1993.

Alexander Shaburov’s 1995 installation, titled “Ivan the Toad [Ivan Zhaba],” engaged with the Western superhero genre through a multimedia hagiography of a Russian superman.