A "Limonka" cover from 1997 displaying a collage by the surreal retrofuturist artist and pioneer of industrial music, Aleksandr Lebedev-Frontov.

Excerpt from an early episode (the second) of a new version of the popular talk show Vzgliad, co-hosted by Aleksandr Liubimov and Sergey Bodrov Jr., which aired weekly on the TV channel ORT in 1996-1999.

Sovershenno sekretno, the first privately owned periodical in Soviet Russia since 1917, showcased a combination of transparency and sensationalism that became a distinguishing feature of journalistic writing in the post-Soviet period.

"The White Dance" by Evgeny Dodolev broke a major taboo of Soviet press by reporting on the existence of foreign-currency prostitutes in the USSR. Dodolev would then go on to be a part of the "Vzgliad" team, as well as the creator of 1990s "Novyi vzgliad." "Moscovskii komsomolets," 19-21 November, 1986

Novyi Vzgliad authors write some of the most scandalous and incendiary political commentaries of the 1990s, producing new forms of political irony. Iaroslav Mogutin and Eduard Limonov turn violence into a paradoxical source of identity. The main artifact here–an article by Mogutin–exemplifies this process.

Experimental musician and political provocateur Sergei Kuryokhin (1954-1996) explains his definition of fascism and his distinction between mainstream postmodernism and a postmodernism of protest.